music quotes

 "... a powerful stamp in a crowded field."
---- Progression Magazine

A diverse and dynamic performer. Jean Mazzei is equally entertaining whether fronting her rock band Flying Venus, playing a jazz gig, or performing her solo acoustic 'caffeinated folk rock.' Captivating audiences with both her magnetic stage presence and commitment to the art and craft of songwriting, she has appeared on the Bay Area’s premier stages including The Little Fox Theater and The Boom Boom Room and released five full-length Cd's. Her song “Face of a Nation” (Flying Venus, 2006) won 4th place in the Unisong International Song Contest (LUNCH category), while her latest CD release, 2008’s “Breathing Under Water,” produced by Grammy nominee Ronan Chris Murphy has aired on more than 70 radio stations nationwide. A life-long student of yoga, Jean has twice traveled to India to study with Pandit Rajamani Tigunait, leads international workshops, and teaches her own "Rock Star Yoga" at several Bay Area studios where she inspires others to 'bring it!' both on, and off, the mat.


What others are saying about Jean Mazzei's music:

"Mazzei’s album is a testiment to singer-songwriters who don’t need to stay stuck in the mold of indie, acoustic folk songs." —Gilli Moon, Songsalive!

" a matchless voice and an even more unique musical arrangement... abstract and distinct." —Kendra Beltran, Bryan Farrish Radio Promotions

"Jean's voice is a sleek sultry sound that is pure
listening pleasure," — Heather Burke, Raven Entertainment

"Jean Mazzei has something audiences will really dig!" -- Kurt Elling, Blue Note Recording Artist

“eclectic and smart” —Jon Flannagan, Radio and Retail

"[Jean's] material is grown-up, authentic stuff that moves through interesting places..." ---Sandra Marlowe, jazz singer

Indie Music Review

 

Jean Mazzei ~ Breathing Under Water
Date: Saturday, March 08, 2008 @ 14:33:46 PST
Topic: Reviews


Artist: Jean Mazzei

CD: Breathing Under Water

Home: San Francisco, California

Style: Rock/Jazz

Quote: "There’s a lot of intelligent music on this disc."

By Dan MacIntosh

Listening to new singers can be a little like meeting strangers at parties. Some people you meet are gregarious and simply bursting with energy. Sometimes this can be a good thing, especially if you’re a little tired and need the aid of a human pick-me-up. Then there are those you might not notice unless first introduced. And while she’s no wallflower, sonically speaking, Jean Mazzei is not an outgoing singer. Instead, she blends in, sometimes a little too much, with her musical surroundings. This is not to say she’s a poor singer; she's not. She just isn't the sort that grabs you by the collar and makes you sit down right then and listen to her.

Breathing Under Water is a curious CD title. The disc itself is nicely illustrated with underwater images from an aquarium. Mainly these are pictures of jellyfish floating freely in the ocean blue. The title track itself, however, is all about survival. Its lyric was inspired by Mazzei’s mother, who was “drowning in grief and anger” as Mazzei puts it, yet somehow found a way to move past her troubles. And that is a story well worth thinking about.

Mazzei wrote and sings all these songs. She also plays acoustic guitar, and is assisted by six other musicians. A few of these sidemen are famous ones, too. Guitarist G.E. Stinson is co-founder of Shadowfax, for example. Bassist Ian Sheridan also plays with Jason Mraz. At times her music is a little jazzy, which may have something to do with all the musical chops represented in Mazzei’s band. Other times, it rocks with big, electric guitar solos. But no matter the sonic character of her surroundings, Mazzei always sounds calm, cool, and collected.

Mazzei’s music sometimes gets compared to the likes of Tori Amos and Radiohead, but I don’t hear it. There’s probably a little too much laid-back California in her approach to match these two un-laid-back influences. Amos is an uppity chick, while Mazzei comes off far more contented. Radiohead, on the other hand, mixes manic depression with alternative rock, but there is no such emotional downer-ism in what Mazzei does at all.

There’s a lot of intelligent music on this disc. I’d like to see a producer push her out in the spotlight a bit more to make the listener take notice. Then we might get a better idea of what she can really do.

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